“Well, conditions are quite harsh here. Our recommendation is all of our clients to invest all their resources into tinned provisions and hunting rifles.” This piece of shrewd guidance comes from the Brain Gremlin – a lab-engineered, speaking, bespectacled member of the slimy Gremlin horde that swarms Manhattan’s high-tech Clamp Tower skyscraper in helmer Joe Dante’s madcap sequel Gremlins 2: The New Batch. Superficially, it’s simply an portfolio pointer from one monster to another. Yet, in a strange manner, it’s also surprisingly sturdy existential counsel. Seriously, consider my perspective.
When situations deteriorate, the worst thing you can do is view events with undue solemnity. The Brain Gremlin grasps this. In fact, a large portion of the dentally-gifted beasts that populate Dante’s wild 1990 film (debateably his greatest) possess the same wry, meta funny bone regarding the indistinct border separating the mundane and absolute bedlam. It’s a single component of Gremlins 2: The New Batch that ensures my return – and with the passage of time, it’s the theme that echoes the loudest.
Naturally, my attachment to this movie wasn’t born on such an philosophical plane. Growing up, we possessed merely a few well-worn videocassettes at home. Included within that collection were Gremlins and its follow-up, the latter housed in a chunky ex-rental box probably bought from an off-brand video shop and boasting growling monsters on its knackered cover. I was right away smitten and these films wasted no time embedding themselves inside my tiny, impressionable mind. After that point, they became an almost-daily part of my youthful watching schedule.
Dante’s first film usually receives all the accolades, thanks largely to its legacy as a moderately spooky festive favorite – and to be fair, I’ve watched Gremlins on countless occasions. That said, its follow-up seldom receives the same level of elevated esteem, which feels unjust. As a kid, I’d never miss an opportunity to watch Gremlins 2. During sunny school summer breaks, I’d retreat into the house and stick it on. When I acquired my personal TV-VHS combo unit, it stayed in constant rotation in my bedroom. Over time, it became deeply rooted in my mental framework. If my parents detected this preoccupation, they didn’t seem to mind.
As I matured, new insights rewarded frequent screenings, elevating the fun of watching little green monsters happily vandalize a New York high-rise. I learned the ahead-of-its-time property magnate and Clamp Tower owner, Daniel Clamp (John Glover), was inspired directly by the eventual commander-in-chief Donald Trump, with his red-headed employee Marla (Haviland Morris) echoing his one-time partner Marla Maples. Luckily, Clamp has more heart than his real-life counterpart.
The “apocalyptic” video Clamp plays during maximum monster mayhem? I discovered it was inspired by a genuine “Doomsday” video created by the CNN boss Ted Turner should the world really ended. I noticed how Dante took extra pains to film varying versions of a self-referential segment where Gremlins hijack the actual feature in progress. A version for theaters, another for home video and television, each delivering a smirking slice of fourth-wall-breaking cultural alchemy prior to the concept being mainstream.
While it was makeup maestro Rick Baker’s gloriously nasty-looking creatures that captured my attention as a child, this deeper gold held my interest as an adult. Eventually, I even conversed with Dante about it myself and he had no reservations revealing to me he made the movie with the specific aim of mocking those who loved its absurd-yet-genuine predecessor and desired a sequel. “We were going to make fun of the fact you came to see it,” he gleefully confessed. This Looney Tunes-esque insubordination and determination to not take his sequel as gravely as his Warner Bros bosses evidently expected, only made me love it even more.
When I endured a sudden family bereavement not long ago, I was surprised to find that, during my most profound sorrow, all I felt compelled to do was sit and watch Gremlins 2: The New Batch. Odd, no? Maybe not. The comforting familiarity it offered was needed to dilute my mind’s grief morass – but the insights it had given me as an adult were equally valuable.
Like Gremlins running amok in a genetics laboratory, there’s particular aspects in life you just can’t control. Dante is aware of it. The Brain Gremlin knows it too. Sometimes, you have to emulate them: embrace the chaos, invest all your resources into tinned provisions and hunting rifles and try not to take things too seriously.
It’s robust worldly wisdom from a very unlikely source – and it’s why Gremlins 2: The New Batch will forever remain my go-to cinematic solace.
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